Here’s the trailer for director Todd Haynes‘ remake of the classic Mildred Pierce. As opposed to a two-hour journey of dramatic sacrifice and shrewery, it’s going to be a five part miniseries adapting the novel (more closely than the original film I suppose) for HBO. Weird. Kate Winslet is stepping into Joan Crawford‘s very famous role, and Sophie-Anne the vampire queen of Louisiana is Veda Pearce, Mildred’s daughter who puts the “face” in “bitchface.” I don’t know what that means but I’m fraught with concern that this mini-series will wreck the movie for me.
The original is rad. I was never one to watch classic flicks. I can name on one hand the amount of black & whites I’ve ever enjoyed – Psycho, A Patch of Blue, the beginning of Oz, Who’s Afraid of Virginia Woolf…see? But then my friend Joe threw a couple of get-togethers in which he ran old-school flicks that everyone should see. The ones that made a real impression on me were the one with the scary senior citizen lady governess who was lezzin’ for the dead wife and scarin’ the pants off the new one (I believe she showed off the dead ladies’ squirrel covers?) and Mildred Pierce. Mainly because it didn’t matter that it was black and white. Joan (who in real life was a big fucking mess) was MELODRAMA. Sacrificing herself for a BITCH daughter who hates that its her mom’s waitress job keeping them afloat and still gives her the business even when Mom opens Mildred’s theme restaurants all across Cali because Mom is still “common” and Veda has tentacles coming out of her because she’s from the 13th portcullis of Hades and then Mildred has had ENOUGH and you’ve heard of the double clap (?) well, Mildred hands Veda a DOUBLE SLAP because bitch keeps fixing her mouth to say hainty things.
Witness:
Despite the DOUBLE SLAP, Veda gets on the man Millie married to improve her social standing in Veda’s eyes and then someone gets shot and I’ve spoiled you enough on this film classic. It’s just…really, really good. It’s hardcore. And by that I mean the real deal, the big eyes and the 40s hair and all the sexy subtext and Joan’s infinite patience and pluck as our beleaguered heroine Mill. I know Kate can make this her own because she’s the shit and its Todd Haynes who made Velvet Goldmine. And I mean, Velvet Goldmine.
I have my doubts about Evan Rachel Wood. She turned the vampire queen who could have been glamorous and deadly into a minor character from Dynasty. And not even Joan or Linda…we’re talkin’ Stephanie Beachum. Your veil and poodleless skirt are overpowering your acting, Evan.
I assume this is going to be a whole different animal and won’t sully Joan’s memory at all. I mean, more sullied than a child-abusing alcoholic already has been by her vengeful daughter. Did mother have the last laugh? Did she?
This post has been brought to you by the letter GAY. DOUBLE SLAP!

































